2017

1992 släppte Nils Landgren Funk Unit sitt första album Unit. Nu, 25 år senare, släpper de sitt elfte album - Unbreakable - och de är tajtare än någonsin.<br/><br/>Efter 25 år tillsammans, 10 album i ryggen och otaliga turnéer över hela världen är det tydligt att Funk Unit har en passion för att göra avtryck och sprida glädje. Unbreakable är ett album sprunget ur bandmedlemmarnas genuina kärlek till musiken och till varandra.<br/><br/>Musiken på Unbreakable är en del funk, en del jazz och rakt av en oemotståndlig partyplatta.<br/><br/>Denna gång gästas Funk Unit av musiklegendarerna Ray Parker Jr. (soloartist, låtskrivare, producent och musiker åt bla Chaka Khan, Diana Ross, Barry White), Randy Brecker (trumpetare som bland annat spelat med Bruce Springsteen, Lou Reed, Charles Mingus, Jaco Pastorius) och Tim Hagans (trumpetare och grammisnominerad musiker som bla spelat med Dexter Gordon, Yellowjackets och Norrbotten Big Band).<br/><br/>Medlemmarna i Funk Unit är var och en för sig tongivande musiker med en mängd sidoprojekt vid sidan om och med världen som arbetsplats. Detta är troligtvis den bidragande orsaken till att bandet låter mer sammansvetsat idag än någonsin förr. Dynamiken och det oemotståndliga groovet på Unbreakable är svår att stå emot.<br/><br/>"Vår musik är en egen symbios av influenser och egna infall blandat med en god portion improvisation på ett sätt som jag tänker mig är unik. Funk Unit har alltid arbetat som ett kollektiv; när vi skriver, när vi reser och när vi står på scen. Jag må vara grundaren och ansiktet utåt, men alla medlemmar i bandet har en egen stämma, en egen röst. När vi spelar in våra album i studio, spelar vi ALLTID tillsammans, live, i studion. Det du hör är rakt av det vi spelade, när vi spelade. Vi är Unbreakable - vi är Funk Unit." säger Nils Landgren. <br/><br/>Unbreakable opens with the title song, Nils Landgren's own composition. It begins with an unmistakeable guitar intro by Detroit funk legend Ray Parker Jr. (for the occasion an "Honorary Funk Unit member") a funky riff that sets the pace for what's to follow; a nonstop funk blowout.<br/><br/>Mr Redhorn, Nils Landgren would never, ever mess with a good recipe.Unbreakable opens with the title song, Nils Landgren's own composition. It begins with an unmistakeable guitar intro by Detroit funk legend Ray Parker Jr. (for the occasion an "Honorary Funk Unit member") a funky riff that sets the pace for what's to follow; a nonstop funk blowout. The Funk Unit rhythm section is tighter than ever before and lays down a groove like no other band. The horn arrangements (by band member Jonas Wall) are exquisitely precise and the process of arranging, mixing and performing they have developed over the years is unique and totally their own. If you add to that an outstanding trombone player/lead vocalist you have one of the most dynamic groups of musicians ever to hit the stage in Europe. Some funk, some jazz and some straight-out par...<br/><br/>line up<br/>Nils Landgren Funk Unit:<br/>Nils Landgren / trombone & vocals<br/>Magnum Coltrane Price / bass & vocals<br/>Andy Pfeiler / guitar & vocals<br/>Jonas Wall / saxes<br/>Petter Bergander / keyboards<br/>Robert Ikiz / drums<br/><br/>Honorary Funk Unit Member - Ray Parker Jr :<br/>Guitar on Unbreakable,<br/>Rockin' After Midnight (& vocals),<br/>Just A Kiss Away, Stars In Your Eyes<br/>& Bow Down<br/><br/>Randy Brecker / trumpet on 06<br/>Tim Hagans / trumpet on 09

Digipack.<br/><br/>"Jag låter min musik frodas i den nordiska melankolins tonspråk. Där vill jag varsamt förvalta arvet efter några av de mest älskade namnen inom svensk jazz och visa. Musiken hedrar en tradition men tar den in i en samtid med de infallsvinklar en 90-talist upptäcker i sig själv och andra."<br/>Amanda Ginsburg<br/><br/>"Albumdebuterande sångerskan Amanda Ginsburg har redan låtit tala om sig; i våras släppte hon en singel, i höstas ännu en, och till på köpet nominerades hon till P2:s Guldkatten i kategorin Årets nykomling. <br/>Fullängdaren "Jag har funderat på en sak", som innefattar båda singlarna, rör sig mellan jazz och visa, med texter på svenska. Det är musik som vinner mycket på just språket, men tilltalet är också musikaliskt okonstlat och direkt. Andra har gått före i samma spår - Sarah Riedel, till exempel. Men Ginsburg har sin egen timbre och en närhet till sin musik och sina texter som känns distinkt personlig. En viss poppighet smyger sig osökt på, samtidigt som musiken ekar av samma gammelsvenska traditioner som Jan Johansson och andra utvecklade på 60-talet".<br/><br/>- Johannes Cornell - DN

Released on the occasion of Anouar Brahem's 60th birthday, "Blue Maqams" offers many reasons to celebrate. Recorded in New York's Avatar Studios in May 2017 and produced by Manfred Eicher, it brings the Tunisian oud master together with three brilliant improvisers: the "Maqams" of the title refers to the Arabic modal music system, rendered kind of blue by the jazz players. For Anouar Brahem and Dave Holland the album marks a reunion: they first collaborated 20 years ago on the very widely-acclaimed "Thimar" album. Brahem meets Jack DeJohnette for the first time here, but Holland and DeJohnette have been frequent musical partners over the last half-century beginning with ground-breaking work with Miles Davis - their collaborations are legendary. British pianist Django Bates also rises superbly to the challenge of Brahem's compositions. And Anouar in turn is inspired to some of his most outgoing playing. "Blue Maqams" is a highlight of ECM's autumn season.

A year after his impressionistic, critically-lauded ECM debut "Into The Silence", trumpeter Avishai Cohen's "Cross My Palm With Silver" introduces a programme of new pieces which put the focus on the ensemble, on teamwork, with a quartet of the highest calibre. The adroit, almost telepathic interplay among the musicians allows Avishai Cohen to soar, making it clear why he is one of the most talked-about jazz musicians on the contemporary scene. "All of these people together are my dream team", says the charismatic trumpeter of fellow players Yonathan Avishai, Barak Mori and Nasheet Waits, who share his sense for daring improvisation and his feeling for structure. "I feel we're in a perfect place with the balance. It's open and there's so much room for the improvisation to take the music any place we can. At the same time the composition is very specific and the vibe is very direct and thought about." As with "Into The Silence", "Cross My Palm With Silver" was produced by Manfred Eicher at Studios La Buissonne in the south of France. It is issued on the eve of a major European tour, with concerts in France, Italy, Spain, Luxembourg, United Kingdom, Switzerland, Germany and the Netherlands.

Parks Aaron/Ben Street/Billy Hart: Find the way [CD]

British pianist Django Bates returns to ECM with one of his very finest constellations, the trio Belovèd, with Swedish bassist Petter Eldh and Danish drummer Peter Bruun, and an aptly named album, "The Study of Touch". All three musicians are highly individual players, subtly challenging the conventions of the jazz piano trio. The group came together a decade ago when Bates was teaching at Copenhagen's Rhythmic Music Conservatory. The shared work has included inspired reconstructions of pieces associated with Charlie Parker - a formative influence for both Bates and bassist Eldh - and in this new album, Parker's tune "Passport" is set amid Django originals, and played with respect, contemporary sensibility and joy. Some of Django's own tunes here - such as "Senza Bitterness", "Sadness All The Way Down" and "We Are Not Lost, We Are Simply Finding Our Way" have become core pieces in Belovèd's repertoire, continually remodeled by this trio of improvisers. Bates' composing and arranging skills are much in evidence, along with his freewheeling, free-flowing virtuosic melodic sense. The terse, percussive edge of Petter Eldh's bass provides momentum and drummer Peter Bruun details the music with an almost painterly touch. In the crowded world of the piano trio, Belovèd has developed a sound all its own. "The Study of Touch" was recorded at Oslo's Rainbow Studio in June 2016, and produced by Manfred Eicher.

For his third ECM release as a leader, Chris Potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. The group includes superlative musicians well known to followers of ECM's many recordings from New York over the past decade: keyboardist David Virelles, bassist Joe Martin and drummer Marcus Gilmore, who each shine in addition to the leader on multiple horns. The Dreamer Is the Dream features Potter on tenor saxophone - the instrument that has made him one of the most admired players of his generation - in the striking opener "Heart in Hand" and such album highlights as "Yasodhara," as well as on soprano sax ("Memory and Desire") and bass clarinet (the title track). Potter is an artist who "employs his considerable technique in service of music rather than spectacle," says The New Yorker, and his composing develops in texture and atmosphere with every album.