2017

Volym 3 i serien med live-upptagningar från jazzklubben Stampen i Gamla Stan i Stockholm.<br/><br/>Arne Domnérus, altsaxofon; Lars Erstrand, vibrafon; <br/>Bengt Hallberg, piano; <br/>Georg Riedel, bas; <br/>Egil Johansen, trummor.

One Father, One Son, Two Guitars<br/><br/>"He plays the guitar like he was born with it already in his hands" was how John McLaughlin once praised Ulf Wakenius. What is true for the father might be even more true for Ulf's guitarist son Eric, who probably was quite literally born with one..<br/><br/>"Eric really is a blessing", says Ulf Wakenius. "We have shared many concerts all over the world and it has always been a pure joy!" So the time is clearly right to document this family saga: "Father And Son" is a virtuoso conversation in the art of contemporary jazz guitar. This duo can launch into swing mode, or strut out towards rock, they are capable of being both lyrical and percussively extrovert, they can dream ballads or go at breakneck speed. And whether they are telling tales of exotic lands or contemplating their native Sweden, the pair - with their instinct for atmosphere, their sensitivity to acoustics and balance - make soul-stirring, affecting and compelling music, in which the listener can detect the closeness of their connection to each other.<br/><br/>The musical backgrounds of father and son are very different. Ulf Wakenius had ten years as a member of the Oscar Peterson Quartet and also worked with the two legends of the bass, Ray Brown and Niels-Henning Ørsted Pedersen. He is known for his collaborations with great jazz figures such as Pat Metheny, Michael Brecker and Michel Legrand, and of course for his work with the singer Youn Sun Nah. He is not just one of the most busy and in-demand players, but also the most creative jazz guitarists of our era. His son Eric, by contrast was born in 1988 and surrounded as a teenager by the rock and pop music of the nineties. After that, he spent a lot of time in Los Angeles, where he picked up many different stylistic directions from that city's musical melting pot. "He has played a lot of electric guitar", explains Wakenius, "but - like me - he has fallen in love with the acoustic guitar and its many possibilities."

Ginsburg Amanda: Jag har funderat på en sak [Vinyl LP]

Digipack.<br/><br/>"Jag låter min musik frodas i den nordiska melankolins tonspråk. Där vill jag varsamt förvalta arvet efter några av de mest älskade namnen inom svensk jazz och visa. Musiken hedrar en tradition men tar den in i en samtid med de infallsvinklar en 90-talist upptäcker i sig själv och andra."<br/>Amanda Ginsburg<br/><br/>"Albumdebuterande sångerskan Amanda Ginsburg har redan låtit tala om sig; i våras släppte hon en singel, i höstas ännu en, och till på köpet nominerades hon till P2:s Guldkatten i kategorin Årets nykomling. <br/>Fullängdaren "Jag har funderat på en sak", som innefattar båda singlarna, rör sig mellan jazz och visa, med texter på svenska. Det är musik som vinner mycket på just språket, men tilltalet är också musikaliskt okonstlat och direkt. Andra har gått före i samma spår - Sarah Riedel, till exempel. Men Ginsburg har sin egen timbre och en närhet till sin musik och sina texter som känns distinkt personlig. En viss poppighet smyger sig osökt på, samtidigt som musiken ekar av samma gammelsvenska traditioner som Jan Johansson och andra utvecklade på 60-talet".<br/><br/>- Johannes Cornell - DN

Released on the occasion of Anouar Brahem's 60th birthday, "Blue Maqams" offers many reasons to celebrate. Recorded in New York's Avatar Studios in May 2017 and produced by Manfred Eicher, it brings the Tunisian oud master together with three brilliant improvisers: the "Maqams" of the title refers to the Arabic modal music system, rendered kind of blue by the jazz players. For Anouar Brahem and Dave Holland the album marks a reunion: they first collaborated 20 years ago on the very widely-acclaimed "Thimar" album. Brahem meets Jack DeJohnette for the first time here, but Holland and DeJohnette have been frequent musical partners over the last half-century beginning with ground-breaking work with Miles Davis - their collaborations are legendary. British pianist Django Bates also rises superbly to the challenge of Brahem's compositions. And Anouar in turn is inspired to some of his most outgoing playing. "Blue Maqams" is a highlight of ECM's autumn season.

Buczek Vivian: Ella lives [Vinyl LP]

Under en längre tid har bandet haft en idé om att tolka och hylla en av husgudarna, det legendariska jazzfusionbandet Weather Report. De har valt ut låtar som inte är de mest uppenbara hittarna utan snarare musik som de kände både utmanade bandet och samspelade med det Oddjobska soundet och svänget. Musiken är hämtad från deras kanske mest kreativa period 1974-1978. nominerat till Grammis för bästa jazz 2017. Släpps på limiterad 10" färgad vinyl.