Engelska

<b>The world is changing. The changes are rapid and dramatic. Reality is to a higher extent than before volatile, uncertain, complex, and ambiguous. Recognizing and understanding complexity is crucial. </b> <br/><br/>Performing Arts leadership is well prepared for these changes. In fact, performing arts could well be in the forefront of how to navigate in these challenges. In this book Lotta Lekvall explores performing arts leadership in the challenges facing society as well as the role of art and culture in the 21st Century. <br/><br/><b>Lotta Lekvall</b> is Executive Director at Folkteatern in Göteborg and former CEO of Nätverkstan Kulur. She has long experience of working in the art and cultural sector both nationally and internationally, on cultural policy, cultural entrepreneurship, and on cultural and creative businesses.

<b>'Joyously diabolic' </b>CAMILLA GRUDOVA<br/><b>'Dark and sumptuous and unapologetically peculiar' </b>LISA McINERNEY<br/><b>'Marvellously unnerving' </b>ERIC LaROCCA<br/><br/><i>Oddbody</i> is a collection of ten bold and unsettling short stories that confront themes of desire, fear and shame, each one asking how far the bounds of the human form can be pushed, stretched - and subverted. A woman finds herself navigating a co-dependent relationship with a ghost. A waitress gives birth to an egg during her breakfast shift. A doctor puts his patient on a cleanse to 'purify' her mind, body and soul.<br/><br/>Through playful but provocative prose, Rose Keating traverses a realm both dreamlike and nightmarish, exposing - to the bone - the absurdities and horrors of the feminine experience. <i>Oddbody </i>prods a finger at societal norms, gleefully turns familiar tropes on their head and announces Keating as an audacious new voice in Irish fiction.

<b><i>The Handmade Home </i></b><b>is a modern guide to the art of crafting a home for less with 20 projects for homewares.</b><br/><br/>Brimming with ideas from the pretty to the practical, <i>The Handmade Home</i> contains 20 unique projects for every room in your home using repurposed materials, helping you save money and the planet.<br/><br/>Arounna will show you how to craft confidently to make modern, stylish homewares using traditional techniques and natural materials. Discover how to make a quilt and pillow from scrap fabrics, a blanket made from old sweaters, a rug made from rags and more.<br/><br/>All the projects are beginner-friendly and include clear step-by-step instructions plus stunning lifestyle photography. The projects are also adaptable, allowing you to make them as simple or complex as you like.<br/><br/>Having a beautiful home doesn't need to cost a lot - or the earth. <i>The Handmade Home</i> will show you how to accessorise your home to make it feel cosy and feel your own with what you have.

Den bild vi har i Sverige idag av den internationella konstnärsskara som samlades i den franska byn Grez-sur-Loing under 1870- och 80-talen, präglas i hög grad av sin tids nationalistiska kulturklimat, men också av den konstruktion av platsen och fenomenet konstnärskoloni som både konstnärer och konsthistoriker skapat i efterhand. Vissa fakta i historieskrivningen har etablerats som sanningar. Berättelsen om den skandinaviska Grezkolonin har återberättats så många gånger, att det nu existerar en tydlig bild av det glada kolonilivet och dess melankoliska, gråtonade måleri, som sägs härröra från den fuktmättade luften i flodlandskapet. Grezkolonin besöktes flitigt av svenska konstnärer som Carl och Karin Larsson, Karl Nordström, Nils Kreuger, Georg Pauli och Julia Beck, men även av konstnärer från USA, England, Skottland och Irland. Konstvetaren Alexandra Herlitz har undersökt hur bilden av kolonin framställts i svensk konsthistorisk litteratur och jämfört denna med bildmaterialet, utsagor i opublicerade källor och den bild av Grezkolonin som engelskspråkig litteratur beskrivit där utgångspunkten varit andra nationer än den svenska. Alexandra Herlitz forskning visar att den bild som skrivits fram i Sverige innehåller aspekter som är signifikativa för hur de hela tiden återkommit och betonats. Till dessa hör en etablerad föreställning om att de skandinaviska och engelskspråkiga konstnärer som vistades samtidigt i Grez endast hade ytliga kontakter med varandra. Likheter i den internationella konstnärsskarans ofta gråstämda verk, som till exempel motiven, har förklarats med gemensamma franska förebilder och inte minst byns lokala vädervillkor. Många hittills opublicerade källor vittnar om kontakter mellan de olika ländernas konstnärer. Herlitz menar att dessa sociala och artistiska kontakter senare delvis förnekades av konstnärerna, för om det inte fanns någon social kontakt alls, skulle inget konstnärligt inflytande ha varit möjligt något som kan ha varit av viss betydelse för dessa konstnärers senare karriärer. En av hennes slutsatser är att det finns aspekter i de internationella verken från Grez som snarare kan ses som ett resultat av den sociala konstnärsgemenskapen än ur gemensamma förebilder och en etablerad platsmyt om det gråa Grez.

An Investment Thinking Toolbox introducerar en verktygslåda av essentiella och praktiska mentala modeller för att hjälpa läsaren till mer intelligenta investeringsbeslut. Boken ger den erfarna investeraren nya perspektiv på eviga problem, samtidigt som den, för nybörjaren, introducerar en solid grund för att bättre navigera sin investeringsresa och undvika fallgropar. <br/><br/>Författaren förklarar hur man genom att tillämpa mentala modeller som andra ordningens tänkande , Ockhams rakblad , invertering och andra beprövade modeller kan skapa högre avkastning över tid. Boken innehåller praktiska och konkreta råd för hur läsaren kan översätta de bästa investerarnas teori till praktik och högre avkastning. <br/><br/>Genom att själv omsätta dessa teorier i handling visar författaren hur han har lyckats slå index med god marginal under hela sin investeringskarriär. An Investment Thinking Toolbox ger en utmärkt översikt av investeringspsykologi och de olika problem som en investerare kan stöta på. <br/><br/>"Jag gillar framförallt Daniel Sun Zhangs beskrivningar av hans unika och personliga erfarenheter med olika investeringar, både mindre lyckosamma och lyckosamma" - <br/><br/>Per Håkan Börjesson, Grundare och VD för Investment AB Spiltan <br/><br/>Daniel Sun Zhang tog examen med summa cum laude från Handelshögskolan i Stockholm. Han har arbetat som managementkonsult på McKinsey & Co och Bain & Co samt som strategi- och affärsutvecklingschef på Textilia. Sedan 2021, efter färdigställande av bokens manuskript arbetar Daniel på heltid med investeringar och ledarskap som CXO på Teqnion AB.

In his book, Modularization, Martin Sköld shows how companies and organizations in all industries, can release their greatest competitive potential. Although this potential exists, it is often ignored, which means most businesses rely on only a single competitive advantage.<br/><br/>Some organizations are like a subway. They are experts in creating high volume by transporting thousands of people every day. The high volume is a prerequisite for low costs, but this also means that goods and services are general and are the same for everyone. Therefore, the subway cannot transport each customer exactly where they want to go; they can only follow certain routes. <br/><br/>Other organizations are like a cab, specializing in handling high variety and driving the customer exactly where they want to go. The high variety provides customer value and revenue benefits because the product or service is flexible and customized to suit each customer's unique needs. But the high variation also means that volume is low, as the number of customers per taxi is low. Volume and variety pull organizations in opposite directions and they are forced to make a trade-off. <br/><br/>However, with a clear structure, and many good examples, Martin shows that modularization is the foundation to achieving double competitiveness. It is a strategy to beat the trade-off between volume and variety. It combines the benefits of high volume and high variety and provides a strong competitive advantage by combining low costs with high revenue. It is a strategy which can be applied across all types of industries and in the private and public sector. <br/><br/>Author: Martin Sköld is a researcher at the Stockholm School of Economics and divides his time between academia and industry. Brought up in a family business and with fifteen years of management research in major international corporations, he has acquired unique competencies and extensive knowledge within his field. He is a very popular speaker for managers and leaders at all organizational levels. <br/><br/>Endorsements: <br/><br/>Martin describes the challenges we face daily. Finally, a practical handbook that explains what to do and how to think in order to be competitive in different ways at once. The book accurately summarizes how companies and organizations can sharpen their competitive edge in an ever-changing world using simple and smart tools. Read it! <br/><br/>Azita Shariati, CEO Sodexo AB <br/><br/>This book clarifies to us at Scania what lies behind our success. It explains the thoughts and actions underlying the concepts that have long been part of our culture, but which can be difficult to understand. The book is easy to read and pedagogical, but with sharp insights. Next time someone asks me why Scania is a successful company, I will answer; 'It is because Scania has solved the tradeoff between volume and customization!' We will use this book as our handbook at Scania, so that our employees can better grasp why we do the things we do. If you want to understand why and how read the book! <br/><br/>Henrik Henriksson, President & CEO of Scania

How Little is Enough? Testimony of a Pilgrim by Steinunn Knúts-Önnudóttir is a key component of the artistic PhD thesis How Little is Enough? Sustainable Methods of Performance for Transformative Encounters. The book contains an essay and manuscripts of the four performances of the artistic research; No Show, Island, Strings and Pleased to Meet You. The essay is a testimony of the artist's journey and gives an insight into the artistic research process, while providing an overview of the findings. In the essay Steinunn Knúts-Önnudóttir explores how the performing arts can respond to the current environmental and social challenges, by investigating the affordances of relation specific performances through methods such as performative encounters and porous and embracing dramaturgy through the prism of existential sustainability. How Little is Enough? Testimony of a Pilgrim was presented as part of Dr Steinunn Knúts Önnudóttir's PhD dissertation at Malmö Theatre Academy in September 2024. Steinunn Knúts-Önnudóttir, born in Malmö in 1965, is a performance maker and artistic researcher based in Iceland. She has worked as a director, writer, dramaturge, and performer in Iceland, the UK, Scandinavia, and beyond, with her work playing in Reykjavik, Malmö, New York, Vienna, online, on television, and radio. Steinunn was a dramaturge at the City Theatre in Reykjavik and a lecturer and dean at the Iceland University of the Arts. In her work, she focuses on existentially sustainable, relation-specific performances and performative encounters. Steinunn is also a mother of three, a theologian, life coach, and pottery maker.