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The book opens in January 1969, the beginning of The Beatles' last year as a band. The Beatles (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day's work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt.<br/><br/>The Beatles: Get Back tells the story of those sessions through transcripts of the band's candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions-Ethan A.<br/><br/>Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson's documentary is also drawn. Legend has it that these sessions were a grim time for a band falling apart.

<b>'Almost as miraculous as the songs it exists to celebrate.' PETE PAPHIDES<br/>'The only ABBA book that the world will ever need.' TONY PARSONS<br/>'Writing perfection on musical perfection: book heaven.' CAITLIN MORAN</b><br/><b><br/>Through exclusive interviews and over a decade of deep research, renowned music journalist Jan Gradvall explores the secrets to ABBA's success.</b><br/><br/>More than half a century after their songs were recorded, ABBA still make people the world over dance and sing their hearts out. After interviewing the four members for an article in 2013 - at which time the band had not been interviewed for over thirty years - Jan Gradvall was granted unique access to them for the next decade. In <i>The Book of ABBA</i>, the band share their thoughts and opinions more openly than ever before, while Jan reveals the context in which their sound developed - and shows how the story of ABBA is also the story of Sweden and the globalisation of pop culture.<br/><br/>From their chart-topping ABBA <i>Voyage</i> - their first album in forty years - to the two-million-ticket-selling concert-experience of the same name, it is undeniable that, in the history of pop culture and music, there has never been a group like ABBA. With remarkable intimacy, Gradvall's book brings readers closer than ever to one of the world's most notoriously private music icons.

Valeria Montti Colque s vibrant work deals with issues of gender, power and transnationality. Montti Colque has a peculiar style that is both recognizable and alien. She builds up a world of her own by mixing influences from popular culture, such as hip hop and punk, with saints, devils, female icons and other mythical figures. Identity is central to Valeria Montti Colque s work. She explores identities with the help of characters that sym- bolize strength, love, grief, trauma and gender power structures. The Jokerita is a female Joker, an outsider that can be both dangerous and a jester. The Mountain is an- other character that represents different entities depend- ing on the context. The mountain itself is alive. It provides man with material and protection in the form of caves. The Menstruation mountain is sacred and symbolizes the eternal life cycle. Both the mountain and menstruation are essential to humans, but their powers have been relegated to oblivion or ignorance today. Valeria Montti Colque s work is about finding oneself as an individual in an increasingly mobile and global time. Valeria Montti Colque has shown her work nationally and internationally. She has received several artist s grants and she has participated in a large number of performanc- es, public artworks and workshops. Montti Colque has been represented at the office of the Swedish Minister of Culture. She raises questions about gender and ethnicity, national borders, life and death, and the perpetuation of heritage and traditions. Some of it I can recognise in myself. How can anyone deal with a multicultural legacy, and how does it affect the person I am today, the things we do together, building the society of today? says Sweden s Minister of Culture Alice Bah Kuhnke on the subject of Valeria Montti Colque s art in Sweden s biggest daily newspaper Dagens Nyheter.

<i><b><br/>** Fasten your seatbelts, darlings, it's been one helluva ride. **</b></i><br/><br/>Liza Minnelli is one of the most iconic and enduring figures in entertainment history. Now, in her first and only memoir, Liza tells her story in her own words - and what a story it is.<br/><br/>Born into Hollywood royalty, Liza was the daughter of legendary director Vincente Minnelli and the incomparable Judy Garland - and yet her beloved Mama's brilliance was matched by deep personal battles, making her both an inspiration and, at times, a source of fear. In this deeply candid memoir, Liza pulls back the curtain on her extraordinary life, from her meteoric rise to Broadway and Hollywood stardom to the whirlwind of high-profile marriages and scandalous affairs, as well as the private heartbreaks of multiple miscarriages and lifelong struggle with Substance Use Disorder. She relives the liberated nights at Studio 54, the activism and friendships that shaped her - including the likes of Frank Sinatra, Elizabeth Taylor, Halston, Mary J. Blige, Michael Jackson and Princess Diana - and the fearless way she defied conventions, embracing sexual fluidity long before it was part of the public conversation.<br/><br/>But above all, as she turns 80 years old, Liza is ready to reclaim her truth, dispelling the tabloid myths and setting the record straight with stories she's never shared before. Raw, strong, sexy, hilarious and unapologetically honest, this is a defiant celebration of self-belief, survival and stardust - proving once and for all why Liza remains one of the most captivating performers the world has ever known.<br/><br/><i><b>** Wilkommen to the world of Liza.**<br/><br/></b></i>

Thanks to a thrown beer bottle and a fan letter to a P.O. box, Melissa Auf der Maur's first band scored an opening slot for the Smashing Pumpkins in her bohemian home town, Montreal. Sensing Melissa's talent, Billy Corgan recommended her to Courtney Love. Whisked from her local scene, Melissa joined Hole just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with the just-widowed Courtney Love at the centre of it all.<br/><br/>That was only the beginning of Melissa's journey through alternative rock, a trip she undertook alongside 90s luminaries including Rufus Wainwright, Michael Stipe and her former boyfriend, Dave Grohl. <i>Even the Good Girls Will Cry</i> is a vivid dispatch from the last analogue decade, capturing that bygone era in all its messy, angsty glory.

Beginning his career as a disco producer in the early 70s, Arthur Baker relocated to New York City and in the summer of 1982 produced one of the genre-defining early hip-hop tracks "Planet Rock" by Afrika Bambaataa and Soulsonic Force. This began an illustrious career working with artists including Bruce Springsteen, Diana Ross, the Rolling Stones, Bob Dylan, Al Green, Pet Shop Boys, Quincy Jones, New Order, Fleetwood Mac, Hall & Oates and Neneh Cherry.<br/><br/><i>Looking for the Perfect Beat</i> is the portrait of a pioneering artist who has been quietly influencing the sound of music for over fifty years.

It was the decade of Coco Chanel, Jos®phine Baker, Art Deco, Surrealism, caf® culture and cabarets. American luminaries mingled with European artists like Dal¡ and Picasso in Montparnasse's bohemian arts scene, while Brassa» captured the vibrant dance halls of Montmartre. Explore anew the ann®es folles of 1920s Paris through this vibrant portrait.