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The book opens in January 1969, the beginning of The Beatles' last year as a band. The Beatles (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day's work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt.<br/><br/>The Beatles: Get Back tells the story of those sessions through transcripts of the band's candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions-Ethan A.<br/><br/>Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson's documentary is also drawn. Legend has it that these sessions were a grim time for a band falling apart.

Thanks to a thrown beer bottle and a fan letter to a P.O. box, Melissa Auf der Maur's first band scored an opening slot for the Smashing Pumpkins in her bohemian home town, Montreal. Sensing Melissa's talent, Billy Corgan recommended her to Courtney Love. Whisked from her local scene, Melissa joined Hole just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with the just-widowed Courtney Love at the centre of it all.<br/><br/>That was only the beginning of Melissa's journey through alternative rock, a trip she undertook alongside 90s luminaries including Rufus Wainwright, Michael Stipe and her former boyfriend, Dave Grohl. <i>Even the Good Girls Will Cry</i> is a vivid dispatch from the last analogue decade, capturing that bygone era in all its messy, angsty glory.

Beginning his career as a disco producer in the early 70s, Arthur Baker relocated to New York City and in the summer of 1982 produced one of the genre-defining early hip-hop tracks "Planet Rock" by Afrika Bambaataa and Soulsonic Force. This began an illustrious career working with artists including Bruce Springsteen, Diana Ross, the Rolling Stones, Bob Dylan, Al Green, Pet Shop Boys, Quincy Jones, New Order, Fleetwood Mac, Hall & Oates and Neneh Cherry.<br/><br/><i>Looking for the Perfect Beat</i> is the portrait of a pioneering artist who has been quietly influencing the sound of music for over fifty years.

A Rough Trade Book of the Year <br/><br/> <strong>The much-anticipated first book from Black Sabbath bassist Geezer Butler</strong> <br/><br/>With over 70 million records sold, heavy metal pioneers Black Sabbath are one of the most influential bands of all time. From the very beginning, Geezer Butler was at the heart of their success. He named the group, provided the bass behind their distinctive sound and wrote the lyrics that resonated so powerfully with fans around the world. <br/><br/>At long last, Geezer is ready to tell his side of the Sabbath story, from early days as a scrappy blues quartet through to the many lineup changes, the record-breaking tours and the international hell-raising with Ozzy Osbourne, Tony Iommi and Bill Ward. <br/><br/>Featuring Geezer's candid reflections on his working-class childhood in Luftwaffe-battered Birmingham, his almost-life as an accountant and his fascination with horror, religion and the occult,<em> Into the Void </em>reveals the softer side of the heavy metal legend, while holding nothing back. <br/><br/>Like Geezer's bass lines and the story of Black Sabbath themselves,<em> Into the Void </em>is original, dramatic and one hell of a ride.

The Metal God himself, Rob Halford - lead vocalist of Judas Priest and author of the critically acclaimed and reader-beloved autobiography, Confess - delivers a bible of hard rock and heavy metal, all in his enlightening, hilarious, and one-of-a-kind voice.<b></b><br/><br/>Rob Halford has long been known for his legendary voice. As the front man of Judas Priest, his vocals have always been tremendous, and tremendously influential. In 2020, he brought his voice to the page with a glorious autobiography.<br/><br/>Fans and readers loved Halford's frank and open narrative, as well as his terrific insight and sense of humour. Now, in Biblical, Halford runs his expert eye over all facets of the hard rock history and the heavy metal world. Biblical is a lively encyclopaedia in which Halford shares his opinions, memories, and anecdotes regarding every element of the rock and roll work and lifestyle from tours to tattoos, riffs to riders, and drugs to devil horns.<br/><br/>In Halford's relaxed and honest tone, the book mixes serious and in-depth pieces with whimsical reflections on lessons learned during his fifty years of a life in music. Biblical is a handed-down-from-on-high holy tome that transports fans behind the scenes and back into their record collections, to the almighty ways of rock.

A music-obsessed retrospective, beginning with his childhood epiphany of rock 'n' roll in the early 1960s into an infatuation with the subversive world of 1970s punk and no wave blasting forth from New York City - where he eventually runs off to join a band in 1978. By 1981 Moore would form the legendary and notorious experimental rock group Sonic Youth, who proceeded to record and tour relentlessly for almost 30 years, always progressing, always exploring. Along the way we meet a constellation of artists and musicians who colluded and collided with Sonic Youth including Velvet Underground, Stooges, Patti Smith, Television, Sex Pistols, Clash, Nirvana, Hole, Beastie Boys, Neil Young and a cavalcade of other musical visionaries, as well as figures from the art world - Jean Michel Basquiat, Keith Haring and Gerhard Richter. Simply put, Thurston Moore and Sonic Youth changed the sound of modern alternative rock music and opened the minds of a generation of artists to new possibilities within the form. This is essential reading.

This book is a practical guide to understanding harmony on the guitar, with a focus on spread triads, voice leading, and arpeggio-based structures. Through clearly structured exercises and examples, it provides guitarists with tools to deepen their understanding of harmonic relationships across the fretboard. The material encourages exploration of chord inversions, various voicings, and how finger placement choices can support playability and smooth transitions between shapes. A recurring theme throughout the book is how inner melodic movement within voicings can be used to create natural connections between chords. While the primary focus is harmonic, the book also leaves space for melodic ideas. It is aimed at intermediate to advanced players and is designed to build a strong harmonic foundation while opening up creative possibilities for arranging and improvisation.