Engelska

<b>To coincide with the bicentennial of Thoreau's birth and TarcherPerigee's publication of <i>Expect Great Things: The Life of Henry David Thoreau</i>, here is a sumptuous rediscovery edition of the first illustrated volume of Thoreau's classic, as originally issued in 1897.</b><br/><br/>In 1897, thirty-five years after Thoreau's death, Houghton Mifflin issued a two-volume "Holiday Edition" of <i>Walden</i> illustrated with thirty remarkable engravings, daguerreotypes, and period photographs. In 1902 the publisher collected the work into a single volume. Now, to mark the bicentennial of Thoreau's birth in 1817, this timeless landmark is reproduced with all of the original illustrations and the complete text of his mystical, practical, magisterial record of a life in the woods.

This brilliant selection of essays-funny, erudite, endlessly curious, uncannily prescient-seeks answers to Burning Questions such as: Why do people everywhere, in all cultures, tell stories? How much of yourself can you give away without evaporating? How can we live on our planet? Is it true? And is it fair? What do zombies have to do with authoritarianism? In over fifty pieces Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom, from when to dispense advice to the young (answer: only when asked) and how to define granola, we have no better guide than Atwood to the many and varied mysteries of our universe.

Tracing the full span of Philip Roth's career - from the early controversies surrounding the stories in Goodbye, Columbus to his recent assessments of his work and corrections of the record - this retrospective summation of his essays and interviews shows at every turn the vigour, acuity, and persuasive power of our most celebrated living novelist.

<b>A gorgeously designed collection of essays, short fiction, poetry, interviews, profiles, art, and photography from the archives of the groundbreaking queer magazine <i>Hello Mr.</i>, as well as new material from today's biggest LGBTQ+ creatives </b><br/><br/><i>Hello Mr. </i>was founded by Ryan Fitzgibbon in 2012-over its ten-issue lifespan, the beloved and groundbreaking indie magazine became the first home for some of the most prestigious queer voices of a generation.<br/><br/>In <i>A Great Gay Book</i>, Fitzgibbon has curated the most evergreen written and visual content from the magazine's archives, as well as entries from a new class of contributors, marrying some of today's most celebrated and emerging queer writers and artists. This is an invitation to a camp class reunion where wisdom and creativity is lovingly passed on to a generation of LGBTQ+ leaders on the rise. The book features a mix of gorgeous, full-color illustrations alongside Q&As, profiles, short fiction, poems, essays, and comics-what unifies these myriad entries is their exploration of growth, belonging, and other queer possibilities.<br/><br/>Notable artists and writers featured in the book include Jeremy Atherton Lin, Lady Bunny, Alexander Chee, Garth Greenwell, Saeed Jones, Chani Nicholas, Tommy Pico, Ocean Vuong, Bryan Washington, John Waters, Kehinde Wiley, J Wortham, Hanya Yanagihara, and many more.<i> A Great Gay Book</i> is a triumphant celebration of the diversity of queer experience, showcased across several mediums in a beautifully designed package.

-The complete short stories of Kurt Vonnegut---

<b>From award-winning novelist and cultural critic Lynne Tillman, <i>Paying Attention</i> is the first collection of essays devoted to her incisive, provocative, and singular reflections on art and culture.</b> <br/><br/> <i>Paying Attention</i> gathers more than fifty of the best and varied examples of Lynne Tillman's writings in reference to art and culture published over the course of forty years. In essays that operate outside typical categories or genres, Tillman reflects on forms including film, painting, photography, poetry, and fiction, as well as notions of fame, originality, embodied viewing and thinking, collective activity, aging, illness, American identity, cultural politics, modernity, strangeness, and time. Such is the stuff that relates art to life, and life to art. <br/><br/> Collected mainly from museum and gallery catalogues, artists' books and monographs, her column in <i>Frieze</i>, and magazines including <i>Aperture</i> and <i>Artforum</i>, these meditations on artists and writers, in the broadest sense of these labels, collide as a portrait of our cultural moment. Tillman's inventive use of language and lateral thought, her ability to evoke conditions of the larger world in often just two thousand words on a specific artwork or individual, make her one of the most significant critics of our time. As she acknowledges, in a piece on the artist Robert Gober, "In writing on art, words reach for other words, phrases, idioms, and through them more images and ideas leap out." In her introduction, Elizabeth Schambelan notes that a hallmark of Tillman's writing alongside artists is an "elegant rendering of complexity," and in approaching Tillman's body of work and thought, Schambelan herself imbricates the art, voice, and language of criticism.