Wrecking Lig

Still Corners are releasing their third studio album (2 previous albums on Sub Pop). The album chronicles the arrival of a young woman in a new city and explores love, loss and deceit. It's a dark tale of someone out of their depth, looking for beauty and equilibrium but being dragged down by dark forces that she can't control. All songs were written and performed by Tessa Murray and Greg Hughes. Reviews in Mojo, Uncut, The Fader.... 1 Lost Boys 2 Currents 3 Bad Country 4 Crooked Fingers 5 Skimming 6 Down with Heaven and Hell 7 Downtown 8 The Fixer 9 Dreamhorse 10 Night Walk 11 River's Edge

THE LAST EXIT is the fifth studio album from Still Corners, which will be released on 22nd January 2021 on Wrecking Light Records. With the shimmering desert noir sound the band has become known for, THE LAST EXIT takes you on a hypnotic journey, one filled with dilapidated towns, mysterious shapes on the horizon, and long trips that blur the line between what’s there and not there. Greg says, “We found something out there in the desert – something in the vast landscapes that went on forever." THE LAST EXIT consists of eleven beautifully crafted songs with organic instrumentation, clean-toned guitar, spacious drums and the smoky croon of Tessa Murray. Album highlights include “The Last Exit”, “White Sands” and “Shifting Dunes” all of which evoke the vast space of the desert and rolling unconcerned skies.

The sixth album from Still Corners is “Dream Talk”. Beautifully arranged, elegant and wistful, Dream Talks is a set of ten carefully crafted classic songs.  From the autumnal opener "Today is the Day" to the hot summer night finale of "Turquoise Moon", Still Corners have created a sound that is focused, stylish and seductive. Tessa Murray says, "The genesis for a lot of these songs came from dreams.  Every night I would write down the dreams I could remember.  While recording I would pull out my book of dreams and sing over various looped phrases Greg had been working on, the repetitive nature of the looping and singing almost felt like going into a trance.  A lot of the songs came from that process, it was fun and what I thought were sort of ramblings ended up surprising us with their various meanings and imagery."

Still Corners: Slow Air [CD]