Mute

Swans bow out from the "Big Sound" era with a live document that feels like both farewell and peak statement. Capturing the final concert of this phase, it brings together fifteen years of cosmic sonic expressionism at its most heavenly, debased, visceral and transcendent. Across more than two and a half hours of music, this set includes a wealth of new material never recorded elsewhere, plus a DVD of the performance. It stands proudly alongside Swans' legendary live records, closing this chapter with love and unbridled passion. A fitting goodbye to this stellar line-up: Norman Westberg, Michael Gira, Dana Schechter, Phil Puleo, Pravdica, Larry Mullins and Kristof Hahn.

Coil: Gold is the Metal (With the Broadest...) [Vinyl LP]

This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Schmidt, Jaki Liebezeit, Michael Karoli and Holger Czukay is augmented by the addition of Rosko Gee (Traffic) on bass. Gee's recent addition to the line-up meant that Holger Czukay was freed up from bass duties to perform 'waveform radio and spec. sounds', manifesting here as otherworldly sounds, samples and what one reviewer of a later show described as "moontalk to a white continental telephone."

180 gram vinyl.

Can: Live In Paris 1973 [Vinyl LP]

The legendary Slovenian group's first original studio album since 2014's Spectre, MUSICK - intensely pop, yet intensely Laibach. This record simultaneously celebrates and critiques the current era of warped reality and AI imitation. The title reflects a duality: an oversaturation, being "sick of music" in an age where over 100,000 new tracks, many AI-generated, are uploaded daily, making us question reality; and a "pathological devotion" that continues to drive the band. The maximalist creation process in their Ljubljana studio involved analogue synths, toys, computers with sound apps, and collaborators like Donna Marina Mårtensson and Richard X. They drew influences from K-pop, J-pop, and 90s Eurodance, yet maintained that their primary influence and reference point remained Laibach itself. Available via Mute on limited edition neon pink vinyl and CD.

For their second full-length album, Under My Umbrella, Miss Grit has lifted the lid on their internal world, lasering in on the anxieties and heartbreak of the past two years, following their acclaimed debut Follow the Cyborg. On this album, Margaret Sohn - aka Miss Grit (they/she) - channels the noirish atmosphere of classic trip-hop bands, while adding a hefty dose of maximalism and a dream-pop sensibility. The title is a nod to the iconic Rihanna song and embraces Sohn "...letting people in more on this record and trying not to shy away from that. I'm leaving the cyborg behind, I'm letting it all out." Under My Umbrella not only presents Sohn's gift for complex production, but also the boldness of finding your voice, and ultimately is about coming to terms with yourself, your imperfections, and your complex interior world.