Mute

This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Schmidt, Jaki Liebezeit, Michael Karoli and Holger Czukay is augmented by the addition of Rosko Gee (Traffic) on bass. Gee's recent addition to the line-up meant that Holger Czukay was freed up from bass duties to perform 'waveform radio and spec. sounds', manifesting here as otherworldly sounds, samples and what one reviewer of a later show described as "moontalk to a white continental telephone."

Cabaret Voltaire: Code [3 CD]

Hackedepicciotto: Lichtung [CD]

180 gram vinyl.

Can: Live In Paris 1973 [Vinyl LP]

Depeche Mode's Strange/Strange Too (a much sought-after collection of music videos directed and filmed in Super 8 by Anton Corbijn) are compilations of the provocative and visionary short films created by master photographer/director Anton Corbijn, in collaboration with Depeche Mode, to create a new visual iconography for the band and their music.<br/> <br/>Available for the first time on DVD and Blu-ray and as a single collection, Strange/Strange Too presents 11 Anton Corbijn/Depeche Mode music films, newly restored from original Super 8mm sources, along with six never-before-seen outtake "vignettes" from the DM archives. In compiling the final montages for Strange and Strange Too, Corbijn created a visual sequence in which the individual video clips are seen as one continuous film, with additional intermediate clips not seen in the original clips.

The legendary Slovenian group's first original studio album since 2014&#039;s Spectre, MUSICK - intensely pop, yet intensely Laibach. This record simultaneously celebrates and critiques the current era of warped reality and AI imitation. The title reflects a duality: an oversaturation, being "sick of music" in an age where over 100,000 new tracks, many AI-generated, are uploaded daily, making us question reality; and a "pathological devotion" that continues to drive the band. The maximalist creation process in their Ljubljana studio involved analogue synths, toys, computers with sound apps, and collaborators like Donna Marina Mårtensson and Richard X. They drew influences from K-pop, J-pop, and 90s Eurodance, yet maintained that their primary influence and reference point remained Laibach itself. Available via Mute on limited edition neon pink vinyl and CD.