Manque Music

Islands: Should I Remain Here At Sea? [Kassettband]

Should I Remain Here, at Sea?, Islands' 7th, is, in many ways, a spiritual sequel to the debut album, 2006's Return to the Sea; a natural, raw record, stripped down to it's essentials, performed live off the floor. Reflecting on the decade that has elapsed, SIRHAS kicks off with a darkly funny tartness, tackling religion, race, addiction, and murderous fantasies, but by midpoint, the songs give way to a resigned and doleful melancholia, tackling heartache, numb disillusionment and emotional disorientation through the guise of stupid parrots, the Internet, sea turtles and perhaps the loneliest maritimer to ever sail the seas. It was recorded as spontaneously as could be, with some of the songs captured live in one take, vocals and all.

Taste, Islands' 6th record, is a muscular, crystalline affair, with the majority of the music electronic, buoyed by drum machines, programming and arpeggiated vintage synths. The songs still flirt with Islands' bread and butter; evergreens such as ennui, remorse, and a general disenchantment with the modern world hover over the tracks, with lines like "we got so thrown, we felt lost at home" and "steal a little moment, lose it like you own it", to hammer home the point. The songs cut a wide swath, however, and also go in directions that Islands has never tackled, including police brutality and white male privilege (!).

Should I Remain Here, at Sea?, Islands' 7th, is, in many ways, a spiritual sequel to the debut album, 2006's Return to the Sea; a natural, raw record, stripped down to it's essentials, performed live off the floor. Reflecting on the decade that has elapsed, SIRHAS kicks off with a darkly funny tartness, tackling religion, race, addiction, and murderous fantasies, but by midpoint, the songs give way to a resigned and doleful melancholia, tackling heartache, numb disillusionment and emotional disorientation through the guise of stupid parrots, the Internet, sea turtles and perhaps the loneliest maritimer to ever sail the seas. It was recorded as spontaneously as could be, with some of the songs captured live in one take, vocals and all.

Thorburn Nick: Original Music From Serial [Vinyl LP]

Nick Diamonds' second LP, City Of Quartz, is a giant leap forward from his 2011 debut. Blending synthesizers, drum machines and his signature Spaghetti Western guitar licks, he has forged a sound that tips a hat to perennial favorites like ENO and EOL, looks ahead to more contemporary artists like ESG and EMF, but still has two feet firmly planted in his own entirely unique world, which he's been creating with Islands, Mister Heavenly and The Unicorns since 2003.

Islands latest, Ski Mask, percolates with the kind of polymorphous pop and hooky, left-of-center rock songs that have long been the bands stock in trade